Crimson Unveiled (2026)- COMING SOON

Logline

Haunted by guilt and recurring dreams of a mesmerizing jazz singer, Paul, a grieving widower, is drawn into a mysterious cinema where he must confront the passion he’s long suppressed and choose whether to remain trapped in regret or be reborn in truth.

Synopsis

Paul, a widower haunted by guilt and recurring dreams of Lina, a captivating jazz singer, is pulled into a surreal journey after a chance encounter with a witty stranger and the apparition of his late wife lead him to the mysterious Odeon cinema. Behind its crimson curtains, he confronts a mirror that reveals the passion he’s long suppressed. In this dreamlike space, Paul’s meeting with Lina becomes a moment of reckoning and release. By dawn, he emerges from the cinema transformed, unburdened and ready to live truthfully.

Specifications

Genre: Surreal Psychological Drama

Country: Germany

Production Year: 2025

Language: English, German

(English .srt available)

Duration: 25 minutes 56 seconds

Aspect Ratio: 2:1

FPS: 25 fps

Director’s Statement

Crimson Unveiled is a film born from my lifelong belief that cinema is a space where our hidden emotions can finally breathe. Growing up in Iran, I often felt discouraged from expressing vulnerability or personal truth. Public cinema felt muted and constrained, yet at home I encountered films and art that offered glimpses of freedom and self-recognition. That contrast shaped my understanding of film as a place of honesty, imagination, and transformation.

This project began as a love letter to the medium that helped me understand myself. The film follows Paul, a man confronting desires he has long suppressed, burdened by guilt until he chooses to face himself honestly through cinema. The narrative backbone is intentionally simple, allowing atmosphere, mood, and visual language to move to the forefront and carry the emotional weight, inviting viewers into an inward, experiential journey.

I’ve always been drawn to stories of crossing thresholds, whether it is Alice entering Wonderland or Lynchian characters stepping into dream states. In Crimson Unveiled, Paul crosses into the landscape of his own psyche. His fears and desires materialize as environment, blurring the line between the psychological and the tangible. Cinema becomes both mirror and window, reflecting what is hidden while offering perspective and release through catharsis.

Formally, the film unfolds at a slow, hypnotic pace. Controlled compositions, intentional camera movement, and a carefully shaped color palette create an engulfing atmosphere. Deep reds signal repressed desire, green tones suggest shifts toward the surreal, and projector lights mark moments of introspection. Mirrors, shadows, and displaced sound cues disrupt realism, while an original jazz score underscores Paul’s struggle to move beyond emotional rigidity.

The film pays homage to cinema history, with subtle nods to Hitchcock and aesthetic influences drawn from film noir, the Golden Age of Hollywood, and German Expressionism. Rather than nostalgic gestures, these references invite viewers to re-engage with the expressive power of cinema's visual language. In this spirit, I also focused on the medium’s elemental tools such as light, movement, montage, and sound, allowing them to actively guide Paul’s journey, as though the medium itself were intervening to push him toward self-reflection.

In a time when films are abundant and quickly consumed, Crimson Unveiled asks viewers to slow down and fully inhabit the cinematic experience, surrendering to image, sound, and sensation. The aim is not only for the audience to be moved by Paul’s story, but to be transformed through the experience of fully entering the film itself. Ultimately, it is a call to remember cinema’s power not only as something we watch, but as a place we briefly live in and are changed by.

 
 

Crew

  • Kimia Kazemi

    Writer, Director and Producer

  • Anna Krenkel

    Producer

  • Kiana Kazemi

    Co-Producer

  • Sebastien Basset

    Script Consultant

  • Tim Weskamp

    Cinematographer

  • Anna Hitova

    Colorist

  • Tobias Wilhelmer

    Editor

  • Mario Grigorov

    Film Composer

  • Nina Cutkovic

    Sound Designer

Cast

  • Patrick Oliver Schulz

    as Paul

  • Varvara Ogloblina

    as Lina

  • David Michael Hands

    as Luke

  • Andreas Hofer

    as Jack

  • Kiana Kazemi

    as Waitress

  • Kelvin Sholar

    as Pianist

  • Eric Vaughn

    as Drummer

  • Charles Sammons

    as Bassist

  • Christiane Klöker

    as Clara

  • Jan Kampmann

    as The Attendant

  • Benedict Fellmer

    as The Employee

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